Anderman, N., & Shiga, J. (2024). Deep-sea sound system: Scientific listening, ocean heat, colonial power. Journal of Environmental Media, 5(1), 61–85. https://doi.org/10.1386/jem_00120_1

Sibo C., Shiga, J. & Sher, C. (2023). Understanding anti-Asian racism from communication perspectives: Insights from a rapid literature review. Canadian Journal of Communication, 48(1), 163-174. https://cjc.utpjournals.press/doi/abs/10.3138/cjc.2022-0066

Shiga, J. (2022). Audible oceans: Sonar through the lens of Ursula Franklin’s “Technological Society.” In Kanishka Sikri, Katie Mackinnon & Leslie Regan Shade (Eds.), What Would Ursula Franklin Say?  https://reprisingtherealworld.hcommons.org/what-would-ursula-franklin-say-collection/

Shiga, J. (2021). Sonic saturation and militarized subjectivity in Cold War submarine films. In Melody Jue & Rafico Ruiz (eds.), Saturation: An Elemental Politics (pp. 105-122). Duke University Press.

Shiga. J. (2019). The nuclear sensorium: Cold War nuclear imperialism and sensory violence. Canadian Journal of Law and Society, 34(2), 281-306. *Reprinted in David Howes (ed.), Senses and Sensation, Vol 3: Biology, Psychology and Neuroscience (2021), Taylor & Francis.

Shiga, J. (2018). ‘One little seed blowing in the wind’: Risk media and the production of transgenic life as biocapital. In Bishnupriya Ghosh & Bhaskar Sarkar (Eds.), The Routledge Companion to Media and Risk (pp. 32-64). New York: Routledge.

Shiga, J. (2017). Empire of sound: Sentience, sonar and sensory impudence. In S. Hamilton, D. Majury, N. Sargeant, D. Moore, and C. Wilke (Eds.), Sensing Law (pp. 238-256). New York: Routledge.

Shiga, J. (2017). Copying machines: Unconscious musical plagiarism and the mediatisation of musical listening and memory / Machines à copier: Le plagiat musical inconscient et la médiatisation de l’écoute et de la mémoire. Transpositions, 6, n.p. (17 pages). https://transposition.revues.org/1569

Shiga, J. (2016). Ping and the material meanings of ocean sound. In N. Starosielski & J. Walker (Eds.), Sustainable Media: Critical Approaches to Media and Environment (pp. 128-145). New York, NY: Routledge. PDF

Shiga, J. (2015). Sonar and the channelization of the ocean. In P. Théberge, K. Devine, T. Everrett (Eds.), Living Stereo: Histories and Cultures of Multichannel Sound (pp. 85-106). New York, NY: Bloomsbury. PDF

Shiga, J. (2013). Sonar: Empire, media, and the politics of underwater sound. Canadian Journal of Communication, 38(3): 357-378.

Shiga, J. (2013). Of other networks: Closed-world and green-world networks in the work of John C. Lilly. Amodern 2: Network Archaeology, n.p.

Shiga, J. (2013). Reproducing copyright: The modular mobility of MP3. In T. Thielmann & E. Schüttpelz (Eds.), Akteur-Medien-Theorie (pp. 531-562). Bielefeld, Germany: transcript Verlag. PDF

Shiga, J. (2012). Four file-sharing fallacies. In J. Greenberg and C. Elliott (Eds.), Communication in Question: Competing Perspectives on Controversial Issues in Communication Studies (pp. 252-263). Toronto, Ontario: Nelson. PDF

Shiga, J. (2011, January 17). It’s time to find a balance between new media and copyright [Op-ed]. The Hill Times, p. 28. PDF

Shiga, J. (2007). Copy-and-persist: The logic of mash-up culture. Critical Studies in Media Communication, 24(2), 93-114. PDF

Shiga, J. (2006). Translations: Artifacts from an actor-network perspective. Artifact, 1, 19-34. PDF