Publications

(2016). Ping and the Material Meanings of Ocean Sound. In N. Starosielski & J. Walker (Eds.), Sustainable Media: Critical Approaches to Media and Environment (pp. 128-145). New York, NY: Routledge. PDF

(2015). Sonar and the Channelization of the Ocean. In P. Théberge, K. Devine, T. Everrett (Eds.), Living Stereo: Histories and Cultures of Multichannel Sound (pp. 85-106). New York, NY: Bloomsbury. PDF

(2013). Sonar: Empire, Media, and the Politics of Underwater Sound. Canadian Journal of Communication, 38(3): 357-378.

(2013). Of Other Networks: Closed-World and Green-World Networks in the Work of John C. Lilly. Amodern 2: Network Archaeology, n.p.

(2013). Reproducing Copyright: The Modular Mobility of MP3. In T. Thielmann & E. Schüttpelz (Eds.), Akteur-Medien-Theorie (pp. 531-562). Bielefeld, Germany: transcript Verlag. PDF

(2012). Four file-sharing fallacies. In J. Greenberg and C. Elliott (Eds.), Communication in Question: Competing Perspectives on Controversial Issues in Communication Studies (pp. 252-263). Toronto, Ontario: Nelson. PDF

(2011, January 17). It’s time to find a balance between new media and copyright [Op-ed]. The Hill Times, p. 28. PDF

(2007). Copy-and-persist: The logic of mash-up culture. Critical Studies in Media Communication, 24(2), 93-114. PDF

(2006). Translations: Artifacts from an actor-network perspective. Artifact, 1, 19-34. PDF

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